FILMSCREENINGS

FEATURES

 

Ceniza Negra

Land of Ashes

Sofía Quirós Ubeda | Fiction | 2019 |

Costa Rica, Argentina, Chile, France

Animus Animalis

(istorija apie žmones, žvėris ir daiktus)

Animus Animalis

(a Story about People, Animals and Things)

Aistė Žegulytė | Documentary | 2018 | Lithuania

Deckname Jenny

Samira Fansa | Fiction | 2019 | Germany

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SHORT FILMS

 

SHORT FILMS I:

SMELLS GREEN, TASTES RED

1. Princesa Morta do Jacui | Dead Princess of Jacuí

    Marcela Ilha Bordin | 2018 | Fiction | Brazil

2. Ulaanbaatarjilt | Ulaanbaatarization

    Zulaa Urchuud | 2017 | Experimental | Mongolia

3. Héctor

    Victoria Giesen Carvajal | 2019 | Fiction | Chile

4. An Kapinunan kan Mga Alon sa Danaw | Where the Lake's Ripples Begin

    Jenn Romano | 2017 | Fiction | Philippines

5. Imam pesmu da vam pevam | I Have a Song to Sing you

    Wild Pear Arts: Alesandra Tatić, Eluned Zoe Aiano, Greta Rauleac

    2018 | Experimental, Documentary | Serbia, United Kingdom

6. The Giverny Document (Single Channel)

    Ja'Tovia Gary | 2019 | Experimental | United States, France

SHORT FILMS II:

PAST FROM NOW ON

1. Guaxuma

    Nara Normande | 2018 | Animation | Brazil

2. Die letzten Kinder im Paradies | The Last Children in Paradise

    Anna Roller | 2019 | Fiction | Germany

3. Les Rouflaquettes | The Sideburns

    Endi Tupja | 2018 | Experimental, Documentary | Albania, Germany

4. Joc | Play!

    Andreea Vălean | 2018 | Fiction | Romania

5. Tea for Two

    Julia Katharine | 2018 | Fiction | Brazil

6. Strong Hair

    Kokutekeleza Musebeni | Documentary | 2019 | Germany

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Q&A moderated by

 

Photo: Masha Yuzkova

Jana Piontkovska has a B.A. degree in film studies and is currently working on her M.A. at Freie Universität Berlin. She worked for several film festivals such as Berlinale, Rügen IFF, Duhok IFF.

FEATURES

Ceniza Negra | Land of Ashes

 

Sofía Quirós Ubeda | Fiction | 2019 | 82 Minutes | Costa Rica, Argentina, Chile, France |

OV with eng. Sub.

 

Q&A with a crew member after the screening

 

Friday, 29.11.19 | 20:30

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Selva (13) lives in a Caribbean coastal town. After the sudden disappearance of her only motherly figure, Selva is the only one left to take care of her grandfather, who doesn’t want to live anymore. Between mysterious shadows and wild games, she debates whether helping her grandfather achieve his desire, even though this might mean going through her last moments of childhood alone.

With:

Smachleen Gutiérrez, Humberto Samuels, Hortensia Smith & Keha Brown

Camera: Francisca Saéz Agurto

Editor: Ariel Escalante Meza

Art director: Carolina Lett

Sound designer: Christian Cosgrove

Original music: Wissam Hojeij

Casting: Florencia Rovlich

Producer: Mariana Murillo,

Co-Producer: Cecilia Salim, Matías Echeverría & Millaray Cortés, Samuel Chauvin

Production company: Sputnik Films, Murillo Cine, La POST Producciones, Promenades Films

 

 

Photo: Sofia Quirós Ubeda

Sofía Quirós Ubeda was born in 1989 and studied Sound and Image Design at the University of Buenos Aires. Since her first short films, Sofía has focused on working with non-actors and actresses, creating films that explore their characters intimate worlds with a poetic vision that highlights atmosphere and emotion. In 2016, her short film Selva premiered at La Semaine de la Critique of the Cannes Film Festival 2017 and was screened at the 1. Furora Film Festival. Her first feature film Ceniza Negra (Land of Ashes) had its premiere at the 58th Semaine de la Critique in 2019.

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Animus Animalis (istorija apie žmones, žvėris ir daiktus)

Animus Animalis (a story about People, Animals and Things)

 

Aistė Žegulytė | Documentary | 2018 | 70 Minutes | Lithuania | OV with eng. Sub.

 

Q&A with a crew member after the screening

 

Saturday, 30.11.19 | 20:30

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A taxidermist, a deer farmer and a zoology museum worker live in the surroundings  where  the  line  between reality  and  artificiality  has  almost  become  imperceptible.  While the dead beasts compete for  the  most  vivid posture and the most real look in their eyes, the human keeps trying to bring back life to things in which life has long been absent.

Production: Giedrė Burokaitė

Camera: Vytautas Katkus LAC

Editor: Mikas Žukauskas

Composer: Gediminas Jakubka, Mindaugas Urbaitis

Production company: Meno avilys

 

 

Photo: Vita Žėkaitė

Aistė Žegulytė was born in 1986 in Panevėžys, Lithuania. She studied Photographic Technology at the Vilnius University of Applied Engineering Sciences, after which she started studying Television and Cinema Directing at the Lithuanian Music and Theater Academy. She has made several Fictional and documentary short films, “Animus Animalis” is her first feature-length documentary.

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Deckname Jenny

 

Samira Fansa, Co-Director: Jane George Leonhardt | Fiction | 2019 | 108 Minutes | Germany |

OV with eng. Sub.

 

 Q&A with director and co-director after the screening

 

Sunday, 01.12.19 | 20:30

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„Jenny’s“ gang won’t go on just watching: Refugees fenced in, in camps along the closed up borders of Europe. The alias “Jenny” belongs without doubt to the young activist. But the seemingly clear association becomes more and more ambiguous, the more endangered it gets for everyone concerned.

With

Sarah Graf – Jenny, Ulf Peter SchWitht - Felix, David Schellenberg – Theo, Susan Ihlenfeld – Merle, Momo Wiedemer – Sybill, Mehrdad Taheri - Halit, Jörg Messerschmidt - Jäntsch, Detlef Neuhaus - Jenny's father, Friedrich-Adolf Roth - Lawyer Wegener, Vera Müller - Militant of the Roten Zora, Beate Maria Schulz - Jenny's mother, Marie Düe – Jenny as a child

DoP: Christian Taschka

Art director: Samira Fansa

Editor: Andre Weinreich

Production: Filmarche, Samira Fansa, Jane George Leonhardt

Sound recorder: Mohammad Alzamel, Celine Keller

Music: Guts Pie Earshot, Nomi, Aino

 

 

Photo: Samira Fansa

Born in Germany Hannover 1963. Her search for artistic expression began in childhood and was also a means of asserting oneself in the struggle for survival. Since 2003 lane discovered the film for herself and now works in the fields of documentary film and Fictional film. Social activism and artistic work are repeatedly interwoven in her works, as in the last two feature films

 

Photo: Jane George Leonhardt

Jane has been working with films since 2010 and creates videos from concept to editing. In 2017 she co-directed and produced the feature film "Deckname Jenny".

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SHORT FILMS

SHORT FILMS I:
SMELLS GREEN, TASTES RED

 

Saturday, 30.11.19 | 18:15  | OV with eng. Sub. |

Q&A with a crew member after the screening

 

Violating the conventional perception, the films of this program create synesthetic associations in their form and language in order to reinvent their surroundings. Nature serves as a safe haven, but can also reclaim its place, when threatened with extinction. The myths around it are used as a metaphor for a love declaration. The natural landscape becomes a visual poem, product of a meditation on the safety and bodily autonomy of the black woman. Like a formative force, nature influences, punishes or provides refuge to the characters of these films.

1. Princesa Morta do Jacui | Dead Princess of Jacuí

    Marcela Ilha Bordin | 2018 | Fiction | Brazil

2. Ulaanbaatarjilt | Ulaanbaatarization

    Zulaa Urchuud | 2017 | Experimental | Mongolia

3. Héctor

    Victoria Giesen Carvajal | 2019 | Fiction | Chile

4. An Kapinunan kan Mga Alon sa Danaw | Where the Lake's Ripples Begin

    Jenn Romano | 2017 | Fiction | Philippines

5. Imam pesmu da vam pevam | I Have a Song to Sing you

    Wild Pear Arts: Alesandra Tatić, Eluned Zoe Aiano, Greta Rauleac

    2018 | Experimental, Documentary | Serbia, United Kingdom

6. The Giverny Document (Single Channel)

    Ja'Tovia Gary | 2019 | Experimental | United States, France

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SHORT FILMS II:
PAST FROM NOW ON

 

Sunday, 01.12.19 | 18:15  | OV with eng. Sub. |

Q&A with a crew member after the screening

 

By revisiting and redefining old memories, the focus of this program is the resignification of the yesterday. From now on, an abusive relationship, family bounds or an oppressive beauty pattern will be questioned and new ones will be established. Some characters see a catalyst for change in the face of a stranger, while others experience a violent coming of age, when they have to stand up for their loved ones. They find themselves in situations where they explore and rediscover their inner strength. The movies here explore various narrative approaches, from documentary to animation, in order to reshape the here and now.

1. Guaxuma

    Nara Normande | 2018 | Animation | Brazil

2. Die letzten Kinder im Paradies | The last children in paradise

    Anna Roller | 2019 | Fiction | Germany

3. Les Rouflaquettes | The Sideburns

    Endi Tupja | 2018 | Experimental, Documentary | Albania, Germany

4. Joc | Play!

    Andreea Vălean | 2018 | Fiction | Romania

5. Tea for Two

    Julia Katharine | 2018 | Fiction | Brazil

6. Strong Hair

    Kokutekeleza Musebeni | Documentary | 2019 | Germany

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Princesa Morta do Jacui | Dead Princess of Jacui

 

Marcela Ilha Bordin | Fiction | 2018 | 17 Minutes | Brazil | OV with eng. Sub.

 

Short Films I: Smells green, Tastes red | 30.11.19 18:15

Q&A after the screening

 

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The archaeologist Margot Moreira returns to his place of birth, the exclusion zone called Central Depression, in southern Brazil. There, the sun never stops shining.

With: Gabriel Palma, Maíra Flores

Production: Paola Wink, Davi Pretto, Bruno Carboni, Marcela Ilha Bordin

DoP: Glauco Firpo

Editor: Bruno Carboni

Art Director: Maíra Flores, Luciano Scherer

Sound Designer: Tiago Bello, Marcos Lopes da Silva

 

Marcela Ilha Bordin has a background in screenwriting and literature and collaborated in the scripts of films such as the short O teto sobre nós (68th Locarno Film Festival / Pardi di Domani), by Bruno Carboni. Alongside Carboni, she also worked in the feature O acidente, selected for Script Lab 2018 and now in post-production. Princesa Morta do Jacuí is her debut as a director.

 

Photo: Marcela Ilha Bordin

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Ulaanbaatarjilt | Ulaanbaatarization

 

Zulaa Urchuud | Experimental | 2017 | 3 Minutes | Mongolia | OV with eng. Sub.

 

Short Films I: Smells green, Tastes red | 30.11.19 18:15

Q&A after the screening

 

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In the 1970s Socialist era Ulaanbaatar, Mongolian urban mentality took shape. Originally nomads, Mongolians had to adapt to the urban livelihood and environment, thus the special kind of urban mentality was originated. This change from nomadic way of life to the urbanized life still influences Mongolian people’s mind now.

Munkhzul Bum-Erdene was born in Ulaanbaatar in 1991. Her artistic name is Zulaa Urchuud. She graduated from Ataturk 5th high school in 2009. In 2016, she graduated from Fine Art Insitute of Mongolia with the major in graphic arts and designer. Since 2016, she’s been making video arts and media art installations. Since 2013, she’s been making experimental short film.

 

Photo: Zulaa Urchuud

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Héctor

 

Victoria Giesen Carvajal | Fiction | 2019 | 19 Minutes | Chile | OV with eng. Sub.

 

Short Films I: Smells green, Tastes red | 30.11.19 18:15

Q&A after the screening

 

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In a small fishing cove, surrounded by locals who murmur stories about the devil, Gabriel will try to decipher the strong attraction he feels towards a mysterious masculine young woman whose name is Héctor.

With: Paula Hoffman Villar: Héctor, Armin Felmer: Gabriel

Director, scriptwriter: Victoria Giesen Carvajal

Production: Rebeca Gutiérrez Campos

DoP: Francisca Sáez Agurto, Agustina San Martín

Art Director: Carola Quezada, Carolina Mendoza

Composer: Luciana Campos

Editor: Inti Gallardo, Victoria Giesen Carvajal

Sound Designer: Romina Núñez Cano

 

Victoria Giesen Carvajal (Santiago de Chile, 1987) from an early age had a close link with artistic expressions such as dance, drawing, and music. She completed her university studies in Image and Sound Design at the University of Buenos Aires, Argentina, a place that shaped her vision as an artist, by sharing with people from different countries in Latin America.

 

Photo: Victoria Giesen Carvajal

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An Kapinunan kan Mga Alon sa Danaw | Where the Lake’s Ripples Beginn

 

Jenn Romano | Fiction | 2017 | 15 Minutes | Philippines | OV with eng. Sub.

 

Short Films I: Smells green, Tastes red | 30.11.19 18:15

Q&A after the screening

 

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After working abroad, El goes back to Buhi, Camarines Sur—a small town surrounded  by various tales and legends. With the place is her lover (Ira), whom she regretfully left. When she tries to get her back, their fate seems to be one with the tales and legends of Buhi, one bound to tragedy.

Production: Gerard Asay, Jenn Romano

DoP: Gerard Asay, Mets Camo

Sound Designer: Jireh Pasano

Editor: Jenn Romano

 

Jenn Romano is a female, regional filmmaker from the Bikol Region, Philippines. In 2014, at the age of twenty-two, she developed her irrevocable relationship with filmmaking. She became married to the craft ever since.

 

Photo: Jenn Romano

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Imam pesmu da vam pevam | I have a Song to sing you

 

Wild Pear Arts: Alesandra Tatić, Eluned Zoe Aiano, Greta Rauleac

Experimental, Documentary | 2018 | 6 Minutes | Serbia, United Kingdom | OV with eng. Sub.

 

Short Films I: Smells green, Tastes red | 30.11.19 18:15

Q&A after the screening

 

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As a child, Ivanka was chosen by fairy women for the special task of entering the realm of the dead to discover the future. As an old lady, the spirits have left her, so how does she navigate between the two worlds now?

Director: Eluned Zoe Aiano, Alesandra Tatić

Production: Greta Raulec, Sarah Chorley

Camera: Eluned Zoe Aiano, Greta Raulec

Editor: Eluned Zoe Aiano

Sound recorder: Alen Duš

 

 

Photo: Eluned Zoe Aiano

 

Photo: Alesandra Tatić

 

Photo: Greta Rauleac

Divlja Kruška/Wild Pear Arts is an organisation founded by Alesandra Tatić, Greta Rauleac and Eluned Zoe Aiano. Based in Serbia. It produces a variety of socially motivated artistic projects throughout the Balkans. The team is currently working on the feature documentary “Flotacija”.

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The Giverny Document (Single Channel)

 

Ja'Tovia Gary | Experimentell | 2019 | 42 Minutes | United States, France | Original version

 

Short Films I: Smells green, Tastes red | 30.11.19 18:15

Q&A after the screening

 

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Filmed on location in Harlem, USA and in Claude Monet’s historic gardens in Giverny, France, The Giverny Document is an experimental, multi-textured cinematic poem that meditates on the safety and bodily autonomy of Black women. Filmmaker Ja’Tovia Gary unleashes an arsenal of techniques and materials including direct animation on archival 16mm film, woman on the street interviews, and montage editing techniques to explore the creative virtuosity of Black femme performance while interrogating the histories of those bodies and lives as spaces of forced labor and commodified production.

Ja'Tovia Gary's work seeks to liberate the distorted histories through which Black life is often viewed, while fleshing out a nuanced and multivalent Black interiority. Through documentary film and experimental video art, Gary charts the ways structures of power shape our perceptions around representation, race, gender, sexuality, and violence. The Giverny Document was screened at the 72nd Locarno Film Festival and was awarded with the Moving Ahead Award for best film.

 

Photo: Ja'Tovia Gary

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Guaxuma

 

Nara Normande | Animation | 2018 | 14 Minutes | Brazil | OV with eng. Sub.

 

Short Films II: Past from now on | 01.12.19 18:15

Q&A after the screening

 

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Tayra and I grew up on a beach in the north east of Brazil. We were inseparable. The sea breeze brings me back happy memories.

 

Photo: Manu Scortegagna

Nara Normande was born in Maceió (Brazil) and later moved to Recife, where a new generation of Brazilian directors was about to rise. In 2014 she co-directed with Tião “Sem Coração”, winner of the Illy Prize of best short film at Cannes’ Director's Fortnight. Her third short “Guaxuma” was winning several awards including Best Animation at SXSW and Best International Short at Palm Springs and is shortlisted for the César Awards in France and it’s Oscar qualified. She is current an artist-in-residence by Medienboard Nipkow in Berlin to develop her first feature film “A Garça”.

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Die letzten Kinder im Paradies | The Last Children in Paradise

 

Anna Roller | Fiction | 2019 | 28 Minutes | Germany | OV with eng. Sub.

 

Short Films II: Past from now on | 01.12.19 18:15

Q&A after the screening

 

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Leah lives isolated with her brother and her grandmother in the countryside. When suddenly her grandmother dies, Leah’s paradise is threatened to be destroyed forever.

Production: Mahnas Sarwarí, Adrian von der Borch

DoP: Felix Pflieger

Art Director: Lena Müller, Luisa Rauschert

Sound Designer: Michael Prechtl

Editor: Sebastian Husak

 

 

Photo: K. Dettinger

Anna Roller was born in Munich in 1993. Before starting her studies at the University of Television and Film in Munich in 2014, she received funding for young filmmakers for two medium-length feature films. Her intermediate diploma film Pan was awarded the Starter Filmprize of the city of Munich and was screened at Palms Springs and more than 25 other international festivals. Anna Roller is part of this year’s FUTURE FRAMES program at the Karlovy Vary Festival.

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Les Rouflaquettes | The Sideburns

 

Endi Tupja | Experimental, Documentary | 2018 | 11 Minutes | Albania, Germany |
OV with eng. Sub.

 

Short Films II: Past from now on | 01.12.19 18:15

Q&A after the screening

 

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"Les Rouflaquettes" is a film about the re-staging of trauma, about the journey of personal and historical memories in post dictatorial societies and the fragile balance between Fiction and truth we attribute to the notion of "reality".

Production, DoP, Sound Designer: Endi Tupja

Art Director: Endi Tupja, Ilir Tupja

Editor: Endi Tupja, Sully Ceccopieri

 

 

Photo: Endi Tupja

Endi Tupja studied Languages and Cultural Studies at the University of Milan, Italy and Experimental Media Studies at the University of Applied Sciences Potsdam, Germany. The focus of her work is centered in experimenting with strategies of memory recuperation and the potential of re-enactment with time witnesses. Her approach explores the limits of self representation in documentary modes, as well as, its tangential relation to video art. She lives and works between Milan, Tirana and Berlin.

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Joc | Play!

 

Andreea Vălean | Fiction | 2018 | 16 Minutes | Romania | OV with eng. Sub.

 

Short Films II: Past from now on | 01.12.19 18:15

Q&A after the screening

 

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Dani, a 12-year-old boy living in the outskirts of Bucharest, toils in the busy stop-light traffic selling cold water to support his family. He attempts to pay off all debts by betting all his money in a game organized by children on the streetcar tracks.

With Bondi Gabor, Sebastian Pintilie,Voica Oltean, Ilir Withulescu

Buch, Director, Production: Andreea Vălean

DoP: Tudor Panduru

Editor: Dana Bunescu

Art Director: Malina Ionescu

Music: Nikko

 

Andreea Vălean is an acclaimed scriptwriter, film and theatre director. She is the author of the theatre play “If I Want To Whistle”, which was turned into the Berlinale Silver Bear-winning film by Florin Serban in 2010. She also wrote scripts for “The Way I Spent the End of the World” and Palme d’Or wining short film “Traffic”, both directed by Catalin Mitulescu.

 

Photo: Andreea Vălean

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Tea for two

 

Julia Katharine | Fiction | 2018 | 25 Minutes | Brazil | OV with eng. Sub.

 

Short Films II: Past from now on | 01.12.19 18:15

Q&A after the screening

 

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Silvia is a filmmaker leading a life of complete stagnation: she spends her days between her books, records and cups of tea. One day, her ex-wife, who left her many years ago, knocks on her door saying that she wants Silvia back. On the same day, Silvia meets a neighbour, who invites her to overcome inertia.

With Gilda Nomacce, Amanda Lyra, Julia Katharine, Carlos Eduardo Valente, Lui Seixas

Script, Director: Julia Katharine

Production: Lara Lima, Laila Pas

DoP: Cris Lyra

Art Director, Kostüm: João Marcos de Almeida

Ton: Vanessa Silva

Editor: Beatriz Pomar

Music: Adriana Davi

Sound Designer: Mariana Vieira, Marilia Mencucini

Production company: Lira Cinematográfica, Filmes sem sapato

 

Julia Katharine is an actress and director. She acted in different short films and in the feature "I remember the crows more" by Gustavo Vinagre. She was awarded with the Helena Ignez Award at the 21st Mostra de Cinema de Tiradentes, for her outstanding work. "Tea for Two" is her first short film and was shown at 22nd Mostra de Cinema de Tiradentes, IndieLisboa 2019 among other festivals.

 

Photo: Julia Katharine

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Strong Hair

 

Kokutekeleza Musebeni | Documentary | 2019 | 14 Minutes | Germany | OV with eng. Sub.

 

Short Films II: Past from now on | 01.12.19 18:15

Q&A after the screening

 

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Even today, Marie the protagonist of STRONG HAIR, will not leave the house without a decorative hair ribbon over her afro hair. Filmmaker Kokutekeleza Musebeni accompanies Marie on her hair journey. Soon it becomes clear that afro hair is still highly political. STRONG HAIR is a powerful reminder of how awareness around racist behavioral patterns rises within the young black generation and how they start to overcome them.

Kokutekeleza Musebeni studies documentary film at the University of Television and Film  Munich and works as a presenter and journalist for the Bayerischer Rundfunk.

 

Photo: Holger Borggrefe

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